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AlOchanaamR^itaM

The Morality of Boycott

A certain class of minds shrink from aggressiveness as if it were a sin. Their temperament forbids them to feel the delight of battle and they look on what they cannot understand as something monstrous and sinful... To ask masses of mankind to act as saints, to rise to the height of divine love and practise it in relation to their adversaries or oppressors is to ignore human nature... Hinduism recognizes human nature and makes no such impossible demand. To impose on politics the Brahminical duty of saintly sufferance, is to preach varNasankara, and to destroy society and the race.
...
Aggression is unjust only when unprovoked, violence unrighteous when used wantonly or for unrighteous ends. It is a barren philosophy which applies a mechanical rule to all actions, or takes a word [non-violence] and tries to fit all human life into it... Ramdas is not complete without Shivaji. To maintain justice and prevent the strong from despoiling and the weak from being oppressed is the function for which the Kshatriya was created. Therefore, says Srikrishna in the Mahabharat, God created battle and armour, the sword, the bow and the dagger.
- Sri Aurobindo (On Nationalism, pp.  360-364)
Read more of this article entitled The Morality of Boycott.

sa.ngItaM karNATaka hindusthaani lalita (telugu)
telugu purANAlu pravachanAlu sAhityaM toli velugulu
Miscellaneous Articles telugu Recipes sa.nskR^itaM digvijayii bhaarata (blog) padya kaumudi (blog)

Sri Gummadi Gopalakrishna padya gAnam (audio)

Sri Gummadi Gopalakrishna padya gAnam - excerpts from his padya nATakams

Artist: 'gAna gandharva' Sri Gummadi Gopalakrishna
Year: 2004
Music: Brahmanandam, B. Yajna Narayana
Supervision: 'kaLA tapasvi' Sri G.S.S. Sastri
Notes: These songs are released as an audio CD. Sri Gopalakrishna gaaru, whose life mission is to restore telugu padya nATakam to its due glory, has kindly allowed their free publication here. We are all indebted to him for this favor.

Sri Gopalakrishna gAru has conducted a 'padyaala workshop' during Aug 8-13, 2005 in Sunnyvale, CA, where he taught how to render a padyam to fully bring out its saundaryam and rasam. That was when I got a chance to personally appreciate his awesome talent. Though he had no formal training in classical music, his command on Indian raagas is great. Music flows out of his gaLam like jalapaatam, and padya rasam oozes out like madhuvu. I attempted a small kanda padyam as my guru dakShiNa to him: 

        sompaara padya-kavitaa-
        Silpaangana naaTyamaaDa jIvamu pOyun
        gOpaala kriShNu gaanam(bu)
        aapaata-madhUdayambu bhAva-sphuTamun!
. Meaning: Padya kavita is like the inanimate sculpture of a lady. Gopalakrishna gAru's music brings the lady to life and makes her dance exquisitely ('sompaara'). His music's melody is 'ApAta madhUdayam' i.e., we feel the sweetness at once as we drink it (with our ears). Also, his rendering of the poem is 'bhAva-sphuTam' i.e., makes the padyam's meaning/rasa crystal clear to the listener.

Select rm Select mp3 Title Author
Introduction Music Director R.P. Patnaik
SrI kR^IShNa raayabaaram tirupati vE.nkaTa kavulu
SrI kR^iShNa tulAbhAram muttarAju subbArAvu
SrInAthuDu padya rachana: SrInAtha mahaakavi,
gadya rachana: SrI Akella


- Sarada and Sai Susarla (sai.susarla@gmail.com)